{"id":3207,"date":"2026-06-17T19:21:02","date_gmt":"2026-06-17T19:21:02","guid":{"rendered":"https:\/\/pressbooks.palomar.edu\/arthc1200\/chapter\/post-impressionism-and-the-late-19th-century\/"},"modified":"2026-07-09T15:40:01","modified_gmt":"2026-07-09T15:40:01","slug":"post-impressionism-and-the-late-19th-century","status":"publish","type":"chapter","link":"https:\/\/pressbooks.palomar.edu\/arthc1200\/chapter\/post-impressionism-and-the-late-19th-century\/","title":{"raw":"Post-Impressionism and the late 19th Century","rendered":"Post-Impressionism and the late 19th Century"},"content":{"raw":"

Chapter Overview and Introduction<\/h2>\r\nRather than a unified style, Post-Impressionism is considered an era. In the late 19th century, Post-Impressionist artists working primarily in France sought to reform the techniques and ideas of Impressionism. Japanese prints and photography continued to be major stylistic influences for artists in the late 19th century introducing new form languages and ways of representing. In the dynamic context of the late 19th<\/sup> century, other styles began to emerge, including Symbolism, Art Nouveau, and the Vienna Secession movement.\r\n

Focus Artworks<\/h3>\r\n